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Irving berlin and george m. cohan opened on broadway .

艾文柏林和乔治m科汉在百老汇写作词曲。

Magendatong internet analyst aierlan cohan says in studying a report , newest money newspaper is having comscore data and cereal song very big difference .

摩根大通互联网分析师埃尔兰科汉在研究报告中称，comscore数据与谷歌最新财报有着很大的分歧。

Mr cohan handles his material deftly , portraying bear as symptomatic of an industry that had come to believe its own hype and had lost sight of how inherently unstable it really was .

科汉先生灵巧地处理了他的素材，将贝尔作为一个有疾病症候的行业来描写，即它相信自己的大肆宣传而看不到它实际上内在地是多么的不稳固。

Although cohan didn 't have the benefit of the psi 's report ( it was published one day after the publication date of his book ) , he was able to draw from documents made public by the psi in 2010 .

之前科汉虽然没有看到常设调查小组委员会的报告（比他的书晚一天发布），但他能够从常设调查小组委员会在2010年公开的文件里获取证据。

But mr cohan provides plenty of fresh material , for instance on the " kabuki theatre " that was the relationship between john paulson , a hedge-fund manager who made billions shorting mortgages , and josh birnbaum , the goldman trader behind the " big short " .

但是科汉先生提供了非常多新鲜素材，比如：“歌舞剧戏院”这个名词，就是讲述的一个做了十几亿房屋抵押贷款空头的对冲基金经理约翰鲍尔森与一个“大空头”背后的高盛交易商伯恩鲍姆的关系。